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Lloyd Pedersen and Bert Emmett in "Someone Who'll Watch Over Me" at the Lonny Chapman Theatre. Credit: Sherry Netherland.

SOMEONE WHO’LL WATCH OVER ME (GROUP REP): 93% – SWEET

SWEET Director Gregg T. Daniel brilliantly conveys the energy and black humor that keeps the men alive, and Gary Lee Reed (Set); Kim Smith (Lighting); Steve Shaw (Sound) and Elizabeth Nankin (costumes) capture the desolation. Morna Murphy Martell – Theatre Spoken Here SWEET A must see for all L.A. theater enthusiasts! This spellbinding and intensely [...]

"Billy & Ray" at the Falcon Theatre. Credit: Chelsea Sutton.

BILLY & RAY: 97% – SWEET

SWEET Still, the most fascinating aspect of “Billy & Ray” is Bencivenga’s smart, knowing script, which captures an important era in filmmaking fueled by two great minds who rose above their shared belief that “if there’s one thing Hollywood hates, it’s originality.” Travis Michael Holder – Backstage SWEET Mike Bencivenga’s World Premiere play Billy & [...]

Ann Gee Byrd in "Mrs. Warren's Profession" at the Antaeus Company. Credit: Geoffrey Wade.

MRS. WARREN’S PROFESSION (ANTAEUS): 95% – SWEET

SWEET Shaw’s 1893 ground-breaker makes an exciting return to Los Angeles as The Antaeus Company premieres another if its couldn’t-be-better revivals starring the incomparable Anne Gee Byrd in the title role. Who could ask for anything more? Steven Stanley – StageSceneLA SWEET A strong, able cast led by Robin Larsen’s firm direction makes George Bernard [...]

DeeDee Rescher as in “Shirley Valentine” at the Falcon Theatre. Credit: Chelsea Sutton.

SHIRLEY VALENTINE (FALCON THEATRE): 100% – SWEET

SWEET I have seen some terrific plays, but this one goes to the top of the list. SHIRLEY VALENTINE performed by DeeDee Rescher is comedic and poignant. Cathy Wayne – NoHoArtsDistrict SWEET Russell’s words are so poignant and so relatable that Shirley bursts onto the stage fully fleshed out in all the glory of her [...]

The cast of "Stepping Out" at the Lonny Chapman Theatre. Credit: Group Rep.

STEPPING OUT (GROUP REP): 93% – SWEET

SWEET Humorously and poignantly written by Richard Harris. Ambitiously directed and choreographed by Stan Mazin (with the assistance of Linda Alznauer and Michele Bernath respectively….) this is a comedic “slice of life” story. Pat Taylor – Tolucan Times SWEET The GROUP Rep has had a wonderful season, filled with entertaining and noteworthy performances. Next season [...]

Eddie Jones and Matt Fowler in "Benched" at the Avery Schreiber Theatre. Credit:

BENCHED: 75% – BITTERSWEET

Eddie Jones and Matt Fowler in “Benched” at the Avery Schreiber Theatre. Credit: Alan Naggar. SWEET It is one that is worth seeing on your own, not only for the play itself, but for the two superb actors who bring empathy, humor, and warmth to their roles. Carol Kaufman Segal – Reviewplays SWEET You will [...]

CHRISTMAS MY WAY – A SINATRA HOLIDAY BASH! (EL PORTAL): 84% – SWEET

CHRISTMAS MY WAY – A SINATRA HOLIDAY BASH! (EL PORTAL): 84% – SWEET

SWEET No finer Christmas present will come your way than Christmas My Way now onstage at the El Portal in NoHo through December 31. Written by David Grapes and Todd Olson who gave us My Way – A Musical Tribute to Frank Sinatra, the show is a delicious combo of Christmas and nonholiday standards made [...]

Loretta Swit and Harry Hamlin in "One November Yankee" at the NoHo Arts Center. Credit: Robert Arbogast.

ONE NOVEMBER YANKEE: 83% – SWEET

SWEET Taking its name from the tail number of a crashed airplane, “One November Yankee” at the NoHo Arts Center is about a disaster rather than being a disaster, which is always the better side of the equation for a new play to be on. Philip Brandes – LA Times BITTERSWEET Overall, though, One November [...]

Genevieve Joy, Robert Wuhl and Kelly Hare in "I Ought to Be in Pictures" at the Falcon Theatre. Credit: Chelsea Sutton.

I OUGHT TO BE IN PICTURES (FALCON THEATRE): 56% – BITTERSWEET

BITTERSWEET It’s not until the middle of the second act that Gregg W. Brevoort’s staging finds its way to some genuinely touching father-daughter exchanges, but for the most part this is Neil Simon-by-the-numbers, steeped in sentimentality rather than feeling. Phillip Brandes – LA Times BITTER I Ought To Be In Pictures ought to be so [...]

John Apicella, Ryan Vincent Anderson, center, and Kellie Matteson in "You Can't Take It With You" at the Antaeus Company. Credit: Geoffrey Wade / Picasa.

YOU CAN’T TAKE IT WITH YOU (ANTAEUS): 95% – SWEET

BITTER It’s the kooky mayhem that’s this production’s undoing. There’s not enough space on Tom Buderwitz’s crowded set for all the horseplay. But the bigger problem is that the lunacy has no liftoff. Charles McNulty – LA Times SWEET Perhaps the most impressive thing about this production is how Bermingham has physically manipulated 17 game [...]

"Collected Stories" at the Lonny Chapman Theatre. Credit: Sherry Netherland.

COLLECTED STORIES (GROUP REP): 100% – SWEET

SWEET Even if you’ve already seen Collected Stories, see it again, as the acting in this production could not get any better! Don Grigware – Grigware Reviews SWEET In the end, there is virtually no misstep in this creatively staged production of a quietly powerful play which proves once more that the Group Rep is [...]

"The Fainting Couch" at Zombie Joe's Underground Theatre. Credit: Zombie Joe.

THE FAINTING COUCH: 92% – SWEET

SWEET The absurdity of existence is masterfully conveyed through movement and lack of movement, inversions and delusions. The four actors take a weighted concept and deliver it to the stage with ecstatic wonder and physical prowess. Christine Palau – NoHoArtsDistrict SWEET The action, always lasting an hour, is fast-paced and thought-provoking. The work, though it [...]

in the "The Grönholm Method" at the Falcon Theatre. Credit: Chelsea Sutton.

THE GRONHOLM METHOD: 97% – SWEET

SWEET Director BT McNicholl does a laudable job of keeping the action kinetic while leading his actors to remain calm, cool, and cagey. All four performers are outstandingly understated, though their roles could be played to the hilt of theatrical grandiosity. Travis Michael Holder – Backstage SWEET Director BT McNicholl often takes the audience to [...]

Elizabeth Harmetz, Carissa Gipprich, Josh Shaw and E. Scott Levin in "I, Caligula" at the Secret Rose Theatre. Credit: Company.

I, CALIGULA: AN INSANITY MUSICAL: 46% – BITTER

BITTERSWEET A lot of hard work went into this production. Still, there’s room for improvement. Joe Straw – Joe Straw #9 BITTER Were this a spoof in the spirit of Waiting for Guffman, the agonizing, overwrought playing would begin to make sense, but by all accounts this is a serious outing. High production values are [...]

"MIssing Dick" at the Mirror Theatre. Credit: Gordon Bressack.

MISSING DICK: 67% – BITTERSWEET

BITTER It’s hard to care what happens to a cast of characters who don’t resemble actual humans, with problems that exist only as transparent setups to disappointing punch lines. The comedy is broad, the ensemble’s acting hamfisted across the board. Amy Lyons – LA Weekly BITTERSWEET Writer-director Bressack pitches his script at TV-sitcom level and [...]

Dan Sykes, Paul Cady and Julia Silverman in "The Paris Letter" at the Lonny Chapman Theatre. Credit: Sherry Netherland.

THE PARIS LETTER (GROUP REP): 88% – SWEET

SWEET In fact, Jon Robin Baitz’ The Paris Letter with its breathtaking scope and poetic literary style may very well be categorized a new classic, and the current production is rendered so beautifully by a stellar cast and crew at Group rep through September 2. Don Grigware – Grigware Blogspot SWEET Baitz’s script is literate, [...]

Bo Foxworth, Fran Bennett, Elizabeth Swain, Susan Boyd Joyce in "Macbeth" at Antaeus Company Theatre. Credit: Daniel Blinkoff.

MACBETH (ANTAEUS): 95% – SWEET

SWEET From that heartbreaking opening funeral—director Kubzansky’s invention which informs the rest of the play—the couple’s intensity and depth of feeling for each other is riveting. Mr. Nagle gives the lord a humanity that is by turns appealing and appalling. Ms Auberjonois’ decent into madness is truly effective. Steve Peterson – Grigware Blogspot SWEET At [...]

Melanie Griffith and Scott Caan are larger-than-life mother and son in "No Way Around but Through"  at the Falcon Theatre. Credit: Chelsea Sutton.

NO WAY AROUND BUT THROUGH: 58% – BITTERSWEET

BITTER Something feels wrong when you’d rather follow the B story of Jacob and Holly’s best friends, sex addicts who at least get to the point (and amiably played by Bre Blair and Val Lauren, who also directs). Caan is interested in the limits of language, yet sometimes his muddled, logorrheic lovers suck too much [...]

Chris Winfield and Suzy London in “Moon over Buffalo” at the Lonny Chapman Theatre. Credit: Sherry Netherland.

MOON OVER BUFFALO (GROUP REP): 100% – SWEET

SWEET MOON OVER BUFFALO is truly a night (or afternoon) of fun and frolic. Great script, fabulous actors and a completely enjoyable experience. Isn’t that what the theatre is supposed to be. Have a great time! Cathy Wayne – NoHoArtsDistrict SWEET Moon over Buffalo features hilarity and hijinks as it celebrates the theatrical world. Mary [...]

"The Square Root of Wonderful" at the Raven Playhouse. Credit:

THE SQUARE ROOT OF WONDERFUL (RAVEN PLAYHOUSE RE-MOUNT): 75% – BITTERSWEET

SWEET It was truly a delight to see the cast working so well together to bring Carson McCuller’s words to life. Jack Doehring – LifeInLA SWEET The iconic Carson Mccullers mixes Southern tradition with cosmopolitan New York setting, quite the contrast, to make for a most intersting melodrama, “The Square Root of Wonderful,” playing at [...]

Shelly Kurtz, Andrew Villarreal, Nancy Dobbs Owen, and Franciosa in 'The Bridge Club'. Credit: Ed Krieger).

THE BRIDGE CLUB: 66% – BITTERSWEET

BITTER But Mike Sabatino’s direction is shaky, a failing particularly evident in Dobbs Owen’s slow line pick-ups and pauses. And Sue’s awkward smoking of bizarre long white things that bear little resemblance to cigarettes makes us wonder what Sabatino was thinking. F. Kathleen Foley – LA Times SWEET Christopher Franciosa and Nancy Dobbs Owen play [...]

LIGHTS OFF, EYES CLOSED: 91% – SWEET

LIGHTS OFF, EYES CLOSED: 91% – SWEET

SWEET Playfully directed by Meredith Berg, the capable cast of six gives ambitious and multi-faceted performances. Pat Taylor – Tolucan Times BITTERSWEET Liz Shannon Miller’s romantic comedy gets off to a rocky start, with unremarkable acting and staging, but soon finds its rhythm, as the cast of six improves as the story begins to plumb [...]

The cast of "Two Gentlemen of Chicago" at the FalconTheatre. Credit: Chelsea Sutton.

TWO GENTLEMEN OF CHICAGO (FALCON THEATRE): 100% – SWEET

SWEET Two Gentlemen Of Chicago looks a sure thing to sell out performance after performance, and rightly so. Troubies’ fans are legion, and certain to be tickled pink by this latest inspired tribute to two of the world’s greatest. Shakespeare plus Chicago equals Magic. Steven Stanley – StageSceneLA SWEET Troubie standards are always up there, [...]

Anteaeus presents the Samovar cast of "The Seagull" at Deaf West Theatre. Credit: Alexandra Goodman.

THE SEAGULL (ANTAEUS): 82% – SWEET

SWEET I’ll admit it. When I hear the name Chekhov, the first words that pop into my head are dull, somber, and talky. That’s why it’s such a pleasure to report that the Antaeus Company’s revival of Anton Chekhov’s The Seagull not only held my attention virtually throughout, it actually had me laughing more times [...]

From l, Cynthia Bryant, Joseph Runningfox, and Ayanery Reyes in “Not One More Foot of Land!” at the Secret Rose Theatre. Credit: Company.

NOT ONE MORE FOOT OF LAND! (SECRET ROSE): 72% – BITTERSWEET

BITTERSWEET Not One More Foot of Land is not a great play. It is too long, too leisurely and in the premier production by Secret Rose Theatre, there are a lot of things to argue with. But it is an important play nonetheless and if it tells its story more in the manner of a [...]

Daniel Sykes, Kent Butler, and Bert Emmett in "Cobb" at the Lonny Chapman Theatre. Photo courtesy of Lonny Chapman Theatre

COBB (GROUP REP): 100% – SWEET

SWEET Lee Blessing gives us a three-dimensional look at baseball legend Ty Cobb in his fiercely honest one-act Cobb now onstage at Group rep in NoHo. Superbly staged by Gregg T. Daniel and gloriously acted by an ensemble of four, Cobb is represented at the beginning, middle and end of his life by three actors [...]

Sloan Robinson in "Bananas! A Day in the Life of Josephine Baker" at J.E.T Studios. Credit: Judith E.

BANANAS! A DAY IN THE LIFE OF JOSEPHINE BAKER (J.E.T. STUDIOS): 71% – BITTERSWEET

BITTER With director Joyce Maddox, Robinson delivers a show that captivates neither as titillating adult entertainment nor teen education and empowerment. Daryl H. Miller – LA Times SWEET Sloan Robinson recreates la vie de Joséphine with affection, historical accuracy, and grace, making Bananas! an entertaining—and educational—tour down memory lane, and one well worth the attention [...]

From l, Garrett Marshall, Robert Gallo, Lloyd Pedersen, and Chris Winfield in “My Three Angels” at the Lonny Chapman Theatre. Credit: The Group Rep.

MY THREE ANGELS (GROUP REP): 100% – SWEET

SWEET Now on stage at Group rep in NoHo, Larry Eisenberg’s production of My Three Angels emanates heart and soul guaranteed to make it a truly big hit this holiday season. Don Grigware – BroadwayWorld SWEET A highly entertaining comedy, with plenty of laughs, a lot of heart, and some wonderful performances, this one is [...]

Johnny O’Callaghan in "Who's Your Daddy?" at the Little Victory Theatre. Credit: Nancy Savan.

WHO’S YOUR DADDY?: 94% – SWEET

SWEET An entertaining one man show that combines dark, bawdy humor with poignant moments, Who’s Your Daddy? reveals the dramatic but true story of actor Johnny O’Callaghan’s travails in adopting a young Ugandan boy. Passionate and moving, the presentation features excellent acting and colorful language to ultimately tell a story of love and devotion. Mary [...]

Juliet Landau and Matthew J. Williamson in "Danny and the Deep Blue Sea" at Crown City Theatre. Credit: Deverill Weekes.

DANNY AND THE DEEP BLUE SEA (CROWN CITY THEATRE): 95% – SWEET

SWEET Given the scenery-chewing options that Shanley presents, the nuance they achieve and bathos they avoid is endearing and impressive. It elevates the text, and designates “Danny” as a company watershed. David C. Nichols – LA Times SWEET Technically Danny and the Deep Blue Sea is more drama than comedy, but because there are plenty [...]