RSSAll Entries Tagged With: "neon tommy"

ALMOST, MAINE (HUDSON MAINSTAGE): 100% - SWEET

ALMOST, MAINE (HUDSON MAINSTAGE): 100% – SWEET

SWEET Director Papazian serves up a slick and delectable series of comic turns, and he has assembled a cast of 18 accomplished actors for the occasion. All of them acquit themselves with charm and style. Neal Weaver – Stage Raw SWEET Play don’t get any more magical, nor any more unabashedly romantic (with just enough […]

LUNA GALE (KIRK DOUGLAS THEATRE): 100% - SWEET

LUNA GALE (KIRK DOUGLAS THEATRE): 100% – SWEET

SWEET But just as the critic Eric Bentley cautioned us when approaching Henrik Ibsen’s plays to “look for the ideas behind the ideas,” it’s important with Gilman to examine the deeper investigation lurking behind the more topical concerns of her dramas. This is especially the case with her latest work “Luna Gale,” which is currently […]

UBU THE SH*T (FOUR CLOWNS/CSULB): 100% - SWEET

UBU THE SH*T (FOUR CLOWNS/CSULB): 100% – SWEET

SWEET This play is a must see though, especially if you’re in the mood for performing arts that breaks the stuffy dramatic mold. “Ubu the Sh*t” creates a casual atmosphere of laughs for a laid back audience. Amy Patton – The 49er SWEET This production is for mature audiences, and may not appeal to all […]

WHAT THE BUTLER SAW (MARK TAPER): 82% - SWEET

WHAT THE BUTLER SAW (MARK TAPER): 82% – SWEET

SWEET “What the Butler Saw” represents Orton at his most sophisticatedly silly. It’s a play bursting with references to other plays, including even one of the greatest tragedies ever written, Euripides’ “The Bacchae.” Sad as it is to reflect on what this author might have gone on to accomplish had he not been cut down […]

KINKY BOOTS (PANTAGES THEATRE): 85% - SWEET

KINKY BOOTS (PANTAGES THEATRE): 85% – SWEET

SWEET Although I tend to be skeptical about the power of any garment to effect lasting spiritual change, all those stilettos evidently tenderized me to a pulp: I drove home beaming, filled with affection for the characters and all but convinced that wearing thigh-high red leather boots is the manliest thing a guy can do. […]

HANDLE WITH CARE: 100% - SWEET

HANDLE WITH CARE: 100% – SWEET

SWEET In short: this piece is well performed and directed. Daniel Faigin – Observations Along the Road SWEET Through playwright Jason Odell Williams’ focus on comedy and director Karen Carpenter’s attention to high energy acting, “Handle With Care” is a wonderful piece of theater. Rachel Mathieu and Julia Stier – Neon Tommy SWEET Despite these […]

STOP KISS (PASADENA PLAYHOUSE): 100% - SWEET

STOP KISS (PASADENA PLAYHOUSE): 100% – SWEET

SWEET Don’t let the gay bashing that is the pivotal event of Diana Son’s Stop Kiss scare you away from its exciting Pasadena Playhouse debut. Under Seema Sueko’s nuanced direction and with a pair of star turns by Angela Lin and Sharon Leal, Son’s 1998 off-Broadway hit reveals itself at its heart to be the […]

SERIAL KILLER BARBIE (NOHO ARTS CENTER): 94% - SWEET

SERIAL KILLER BARBIE (NOHO ARTS CENTER): 94% – SWEET

SWEET In fact, this is a sweet and very funny coming-of-age tale, punctuated with sassy musical numbers and ferocious wit. And, yes, in the end there is a serial killing subplot, when a trio of vicious, villainous high school cheerleaders are dispatched with extreme prejudice. Paul Birchall – Stage Raw SWEET If you’re a fan […]

CANNIBAL! THE MUSICAL (COEURAGE THEATRE): 100% - SWEET

CANNIBAL! THE MUSICAL (COEURAGE THEATRE): 100% – SWEET

SWEET Rarely is one able to see a musical that can thrill an audience not in spite of a low budget… but because of it. There can be such an expectation for spectacle when seeing a musical that not all productions are up to the task of innovation—of keeping an audience engaged simply with the […]

THE IMPORTANCE OF BEING EARNEST (QUEER CLASSICS/LOUNGE THEATRE): 86% - SWEET

THE IMPORTANCE OF BEING EARNEST (QUEER CLASSICS/LOUNGE THEATRE): 86% – SWEET

SWEET Queer Classics’ The Importance Of Being Earnest gives us a world that Oscar Wilde could scarcely have conceived of in his Wildest dreams, and in so doing, Casey Kringlen and company give Oscar the last laugh he so richly deserves. Steven Stanley – StageSceneLA (Lounge Review) BITTERSWEET On the other end of the spectrum […]

SCREAM! (ROCKWELL TABLE & STAGE): 88% - SWEET

SCREAM! (ROCKWELL TABLE & STAGE): 88% – SWEET

SWEET The world premiere of the unauthorized parody musical “Scream!” at the Rockwell Table and Stage in Los Feliz includes a star studded cast and hilarious satirical humor, all to the background of the ultimate sing-a-long 90s playlist sung by a cast full of powerhouse vocalists. Sidne Phillips – Neon Tommy SWEET It’s all very […]

PIPPIN (PANTAGES/SEGERSTROM): 93% - SWEET

PIPPIN (PANTAGES/SEGERSTROM): 93% – SWEET

SWEET The promise of the show’s opening number “Magic to Do” was lived up to with Houdini-esque virtuosity. “Pippin” was a show that inspired teens from the 1970s to pursue the dream of singing and dancing on Broadway. This entrancing revival will no doubt inspire a new generation to do the same. Don’t miss it. […]

THE DIVINERS (ACTORS CO-OP): 90% - SWEET

THE DIVINERS (ACTORS CO-OP): 90% – SWEET

BITTERSWEET Set in rural Indiana in the early 1930s, Jim Leonard Jr.’s 1980 play, “The Diviners,” drips with a period regionalism that is almost folkloric in tone. The play requires careful handling, or its characters can lapse into stereotype. In his current staging at Actors Co-op, director Mark Henderson does not always avoid that pitfall. […]

WEDDING BAND: A LOVE/HATE STORY IN BLACK & WHITE (ANTAEUS): 92% - SWEET

WEDDING BAND: A LOVE/HATE STORY IN BLACK & WHITE (ANTAEUS): 92% – SWEET

SWEET This rarely produced revival delivers a blistering indictment of the South’s anti-miscegenation laws against the backdrop of a deeply moving portrait of urban black life in the early 20th century. Directed by Gregg T. Daniel, the double-cast production now playing at the Antaeus Company offers some of the finest ensemble acting currently onstage (the […]

BROOMSTICK: 94% - SWEET

BROOMSTICK: 94% – SWEET

SWEET Perfect for Halloween or for anyone who enjoys taking a journey into the deep dark woods, “Broomstick” offers a frightfully fun time at the theater that might be especially fun at night! Candyce Columbus – LA Examiner SWEET Playwright John Biguenet’s delightful Halloween Season monologue is a flat out delight. It’s like a children’s […]

BANSHEE (THEATRE OF NOTE): 75% - BITTERSWEET

BANSHEE (THEATRE OF NOTE): 75% – BITTERSWEET

BITTERSWEET The result – a blend of an old-fashioned ghost story and a kitchen sink family drama – has moments of real sweetness, intervals of flagrant family dysfunction and a minute or two of genuinely gut-wrenching horror. However, the missed opportunities in Petti’s play render its sum less than its parts. F. Kathleen Foley – […]

THE IMPORTANCE OF BEING EARNEST (A NOISE WITHIN): 85% - SWEET

THE IMPORTANCE OF BEING EARNEST (A NOISE WITHIN): 85% – SWEET

SWEET Overall, “The Importance of Being Earnest” was an absolute delight. The actors suited their respective characters, the scenery was quite beautiful in a simplistic way, and there were plenty of laughs. As over the top and extravagant Oscar Wilde wants you to believe his characters to be, you can still find a humble side […]

YOUNG FRANKENSTEIN (DOMA THEATRE): 97% - SWEET

YOUNG FRANKENSTEIN (DOMA THEATRE): 97% – SWEET

SWEET Through a magical, musical tour, with memorable song and dance numbers, sure to wow the audience, such as ‘Puttin’ On the Ritz,”and “Roll in the Hay,” the audience is sure to burst their seams and roll with laughter. Bonnie Priever – LA Examiner SWEET This is an EYE-POPPINGLY riotous, beautifully produced, directed, and performed […]

BRONIES! THE MUSICAL: 100% - SWEET

BRONIES! THE MUSICAL: 100% – SWEET

SWEET The charming musical-in-the-rough that was Bronies: The Musical at this past summer’s Hollywood Fringe Festival has since been polished into the sparklingly rainbow-hued gem now getting its official World Premiere Production at the Third Street Theatre. Simply put, Bronies: The Musical is the feel-best show in town. Steven Stanley – StageSceneLA SWEET Under the […]

VOX LUMIERE - THE PHANTOM OF THE OPERA (LATC): 64% - BITTERSWEET

VOX LUMIERE – THE PHANTOM OF THE OPERA (LATC): 64% – BITTERSWEET

SWEET Lon Chaney rocks out as this incredibly inventive rock opera experience brings sound to his seminal silent film. Staci Layne Wilson – Dread Central SWEET Vox’s version of the Phantom’s narrative is as provocative as it is genius. A literal coming-together of the main artistic mediums made available through modern technology. It is a […]

MARJORIE PRIME: 67% - BITTERSWEET

MARJORIE PRIME: 67% – BITTERSWEET

BITTER A terrible play, and depressing as well, playwright Jordan Harrison’s Marjorie Prime is set in a not-too-distant future and imagines a world where sophisticated robots have been fashioned as human companions. Harrison’s one-act drama doesn’t really have a plot — it’s more of a character study. We see a series of scenes within which […]

KISS ME, KATE (PASADENA PLAYHOUSE): 89% - SWEET

KISS ME, KATE (PASADENA PLAYHOUSE): 89% – SWEET

SWEET “Let’s Make a Deal’s” Wayne Brady as the lead in a revival of “Kiss Me, Kate”: It almost sounds like an especially wacky draft in some fantasy stunt-casting league for theater directors. Sheldon Epps of the Pasadena Playhouse has not only made it happen, he has used it as the inspiration for an ingenious […]

CHOIR BOY (GEFFEN PLAYHOUSE): 86% - SWEET

CHOIR BOY (GEFFEN PLAYHOUSE): 86% – SWEET

BITTER Tarell Alvin McCraney’s 2012 Choir Boy is a tantalizing, underdeveloped play-with-music not entirely improved by Trip Cullman’s direction, now at the Geffen a year after the production’s Manhattan Theater Club bow. Jason Michael Webb’s tasteful vocal arrangements sound terrific via Fitz Patton’s crisp sound design, but the very assurance and gravity of the “negro […]

THE GOAT OR, WHO IS SYLVIA? (L.A. GAY AND LESBIAN CENTER): 91% - SWEET

THE GOAT OR, WHO IS SYLVIA? (L.A. GAY AND LESBIAN CENTER): 91% – SWEET

SWEET Every Los Angeles theatergoer should be so lucky as to see a show this ecstatic. Because all this work is in service of literature that evaluates the sexual morality, the emotional fidelity, the personal integrity we all would like to claim; and it asks of these things what they say about our natures. You […]

SPRING AWAKENING (DEAF WEST): 100% - SWEET

SPRING AWAKENING (DEAF WEST): 100% – SWEET

SWEET The ensemble numbers are precisely choreographed by Director Michael Arden and Choreographer Spencer Liff; the signing never gets in the way, and each cast member is vitally utilized like in a giant, coordinated human body, each part giving life to the whole. The second act unfolds into the ultimate tragedy the piece becomes as […]

COCK: 95% - SWEET

COCK: 95% – SWEET

SWEET The ideal convergence of Mike Bartlett’s incredibly realistic script vividly emoted by the very talented four member cast, as tightly directed by Cameron Watson, make for a totally engrossing 90 minutes. Gil Kaan – BroadwayWorld SWEET Only a highly talented group of actors could deliver the play’s potent message, and the cast at the […]

RACE (KIRK DOUGLAS THEATRE): 69% - BITTERSWEET

RACE (KIRK DOUGLAS THEATRE): 69% – BITTERSWEET

BITTERSWEET Under Scott Zigler’s crisply slick direction, the production features a dynamic cast and design team that would be hard to better. And even though Mamet has created Susan as far more three-dimensional and instrumental to the plot than are any of his past female characters, something is missing here, especially in the play’s highly […]

BUYER AND CELLAR: 98% - SWEET

BUYER AND CELLAR: 98% – SWEET

SWEET Wicked without being unnecessarily cruel, Buyer and Cellar takes jabs at the cult of celebrity while reminding us why we’re so fascinated by it in the first place. Streisand’s eccentric behavior is counterbalanced by nice moments of humanity — awkwardly comforting a distraught Alex or revealing a painful childhood secret. But then Barry makes […]

THE GERSHWINS' PORGY AND BESS (AHMANSON THEATRE): 89% - SWEET

THE GERSHWINS’ PORGY AND BESS (AHMANSON THEATRE): 89% – SWEET

SWEET Diane Paulus’ direction of “The Gershwins’ Porgy and Bess” is mesmerizing. It features a cast of strong actors, abundant laughs amidst serious moments, and some of the most beautiful vocals this side of Broadway. Get a chance to see this show while it’s in town. Molly Quinlan – Neon Tommy SWEET Paulus’ creation, as […]

THE TALLEST TREE IN THE FOREST (MARK TAPER FORUM): 64% - BITTERSWEET

THE TALLEST TREE IN THE FOREST (MARK TAPER FORUM): 64% – BITTERSWEET

BITTERSWEET Daniel Beaty brings this story to the Mark Taper Forum in his solo show “The Tallest Tree in the Forest,” a respectful and intelligent if dramatically disappointing recap of Robeson’s life. Charles McNulty – LA Times SWEET Whether or not you’ve heard of Paul Robeson, once you see the new play written by and […]