RSSAll Entries Tagged With: "david c. nichols"

TAKARAZUKA!!!: 88% - SWEET

TAKARAZUKA!!!: 88% – SWEET

SWEET A high degree of skill and individuality accompanies “Takarazuka!!!” at East West Players. In its elegant West Coast premiere, Susan Soon He Stanton’s very promising albeit still-forming play with music uses the famed all-female troupe in the titular Japanese city as a backdrop to an intriguing study of gender roles, intergenerational schisms and the […]

BROOMSTICK: 92% - SWEET

BROOMSTICK: 92% – SWEET

SWEET Perfect for Halloween or for anyone who enjoys taking a journey into the deep dark woods, “Broomstick” offers a frightfully fun time at the theater that might be especially fun at night! Candyce Columbus – LA Examiner SWEET Playwright John Biguenet’s delightful Halloween Season monologue is a flat out delight. It’s like a children’s […]

THE YEAR OF MAGICAL THINKING (LAGUNA PLAYHOUSE): 83% - SWEET

THE YEAR OF MAGICAL THINKING (LAGUNA PLAYHOUSE): 83% – SWEET

SWEET Adding depth and dimension to Didion’s script are Juan Sanson’s subtle sound effects and spare, softly ethereal music and Francois-Pierre Couture’s scenic work and color washes, projected onto a latticed screen behind Purl. More fierce than sorrowful, “Magical Thinking” is a remarkable portrait of grief and devotion. Eric Marchese – OC Register SWEET Under […]

Critique of the Week - Runner Up

Critique of the Week – Runner Up

I have not been a fan of David St. Nichols work, if I’m being honest, I find that although he’s clearly a fine a writer and smart and knows theater, he holds back or hides behind the dynamics of his own prose, ultimately giving us nothing but froth, but here the froth seems to work […]

THE IMPORTANCE OF BEING EARNEST (A NOISE WITHIN): 85% - SWEET

THE IMPORTANCE OF BEING EARNEST (A NOISE WITHIN): 85% – SWEET

SWEET Overall, “The Importance of Being Earnest” was an absolute delight. The actors suited their respective characters, the scenery was quite beautiful in a simplistic way, and there were plenty of laughs. As over the top and extravagant Oscar Wilde wants you to believe his characters to be, you can still find a humble side […]

GOOD PEOPLE (LA MIRADA THEATRE): 100% - SWEET

GOOD PEOPLE (LA MIRADA THEATRE): 100% – SWEET

SWEET The dilemmas facing the life-battered protagonist of “Good People” are perhaps strategically manipulated, but that doesn’t make them any less relevant, humorous or dramatically engrossing. In fact, David Lindsay-Abaire’s 2011 comedy-drama of socioeconomic dynamics in South Boston is in some ways his finest construct to date, as its rock-solid rendering at La Mirada Theatre […]

Critique of the Week - Runner Runner Up

Critique of the Week – Runner Runner Up

Better from Count Obfuscate…and much more entertaining. If only he had this much fun with stuff he didn’t like instead of “representin’” all the time. THE BEHAVIOR OF BROADUS David C. Nichols – LA Times Controversial psychology and show-biz moxie commingle in “The Behavior of Broadus,” with triumphant results. As delightfully self-assured as it is […]

THE BEHAVIOR OF BROADUS: 100% - SWEET

THE BEHAVIOR OF BROADUS: 100% – SWEET

SWEET As delightfully self-assured as it is comically self-referential, made up of equal parts whimsy, wacky, profane and profound, this cracked experiment in satirical musical development is a wickedly entertaining watershed for Sacred Fools Theater Company, the Burglars of Hamm, Center Theatre Group and the general theatrical landscape. David C. Nichols – LA Times SWEET […]

ANIMALS OUT OF PAPER (EAST WEST PLAYERS): 85% - SWEET

ANIMALS OUT OF PAPER (EAST WEST PLAYERS): 85% – SWEET

SWEET Joseph captures the highs and lows of this unique three-way love affair, its laughter and tears, its joys and sorrows. He’s greatly aided by the sure-handed direction of Jennifer Chang and by the skilled acting of C.S. Lee, Tess Lina and Kapil Talkwalker (a student at USC!). Willard Manus – Total Theater SWEET It’s […]

BIRD LIVES! (CHROMOLUME THEATRE): 81% - SWEET

BIRD LIVES! (CHROMOLUME THEATRE): 81% – SWEET

SWEET I saw one of the most powerful, raw, awesome and tragically-moving performances in memory. Oh, my, it really shook me up. Jay Weston – Huffington Post SWEET The effect is an emotionally exhausting but humanizing depiction of the bebop jazz pioneer. Even though Parker passed away much too soon, at age 34, for 70 […]

I WANNA HOLD YOUR HAND: 83% - SWEET

I WANNA HOLD YOUR HAND: 83% – SWEET

SWEET It’s full of dynamic characters going through interesting changes, and they say funny and moving things all the time; the emotional flow is well-ordered and effective. Exciting images, such as a spiritually bereft agnostic using John Lennon as an understandable face of God, populate a lively story. This premiere production by David Bickford, Jenny […]

Critique of the Week

Critique of the Week

What the hell is a “representative outing”? What does that mean? What am I supposed to glean from that phrase? Maybe you can sort it out, LemonHeads, but for me, this is yet again a “representative outing” from the Duke of Diplomacy, David St. Nichols, over at the LA Times, who seems to endlessly obfuscate […]

ALL'S WELL THAT ENDS WELL (THEATRICUM BOTANICUM): 96% - SWEET

ALL’S WELL THAT ENDS WELL (THEATRICUM BOTANICUM): 96% – SWEET

SWEET That we follow the largely unedited text through its dark moments and plot convolutions to an earned happy conclusion testifies to the curiosity factor and the clarity of storytelling at play. “All’s Well” may not be a flawless work, but it nonetheless ends well here. David C. Nichols – LA Times SWEET If you […]

THE SEXUAL LIFE OF SAVAGES: 74% - BITTERSWEET

THE SEXUAL LIFE OF SAVAGES: 74% – BITTERSWEET

SWEET Still, “Savages” is a ribald, intelligent and promising new work. Adventurous playgoers and/or fans of premium cable fare will likely embrace it. David C. Nichols – LA Times BITTERSWEET All in all, this is a play that wants to tell us to “relax, it’s just sex,” but seems to have forgotten to tell most […]

FLOWER DUET: 63% - BITTERSWEET

FLOWER DUET: 63% – BITTERSWEET

BITTER Undemanding playgoers may well find the proficient performances ample reason to go, but this “Duet” doesn’t exactly sing. David C. Nichols – LA Times SWEET Watching Flower Duet is like watching a well orchestrated dance, it draws you into a world that is foreign, yet so familiar. NoHo is fortunate to have this play […]

AJAX IN IRAQ (MILES MEMORIAL PLAYHOUSE): 82% - SWEET

AJAX IN IRAQ (MILES MEMORIAL PLAYHOUSE): 82% – SWEET

BITTER If you’re going to update a classic work, ask why. If its themes resonate with you, and remind you of contemporary issues, do you really need to rewrite the thing? Mightn’t that classic text still serve a really pointed, personal director’s vision? Even a literal one? You could teach McLaughlin’s Ajax in Iraq in […]

SIX DANCE LESSONS IN SIX WEEKS (LAGUNA PLAYHOUSE): 85% - SWEET

SIX DANCE LESSONS IN SIX WEEKS (LAGUNA PLAYHOUSE): 85% – SWEET

SWEET By embracing rather than avoiding the conventional contours of Richard Alfieri’s international hit two-hander about an imposing Florida retiree and a salty-tongued dance instructor, this elegant revival pulls the crowd-pleasing combination of sass and sentiment into surprisingly affecting bas-relief. David C. Nichols – LA Times SWEET While the ending is tinged with sadness, Alfieri […]

THE LION IN WINTER (COLONY THEATRE): 78% - SWEET

THE LION IN WINTER (COLONY THEATRE): 78% – SWEET

SWEET Artistic Director Barbara Beckley has made a great choice in bringing The Lion in Winter to our community. This play is a must see, masterly mounted, and very well cast by Patricia Cullen. Brandon Scott – NoHoArtsDistrict SWEET I have seen several fine productions of this play in the past. Vlahos has worked well […]

PRAY TO BALL: 94% - SWEET

PRAY TO BALL: 94% – SWEET

BITTERSWEET Abdullah hasn’t penned a polished play. The mercifully short appearance of a faux comical dreadlocked character named Leafy Green (Peete) is an outlandish, unnecessary distraction; and the long -winded script needs more heft — given the subject matter — not to be confused with verbiage. Act 2 particularly would benefit from some judicious editing. […]

THE LAST ACT OF LILKA KADISON: 75% - BITTERSWEET

THE LAST ACT OF LILKA KADISON: 75% – BITTERSWEET

SWEET Indeed, this delicately potent West Coast premiere, a co-production between the Falcon and Chicago’s Tony-winning Lookingglass Theatre Company, often seems to be composing itself before our eyes in a blend of magic realism and transparent emotion. David C. Nichols – LA Times SWEET Productions like The Grönholm Method, Billy & Ray, and February’s Bunny […]

MACBETH (A NOISE WITHIN): 78% - BITTERSWEET

MACBETH (A NOISE WITHIN): 78% – BITTERSWEET

BITTERSWEET Elijah Alexander as Macbeth and Willcox do suggest a lot of sexual passion in their early scenes, but at least at the performance I saw, Alexander’s vocal delivery sounded lighter than expected, almost as if he were undecided about how far to pursue Macbeth’s indecision. Carpenter visually emphasizes that the Macbeths apparently lost their […]

A NICE INDIAN BOY: 88% - SWEET

A NICE INDIAN BOY: 88% – SWEET

SWEET All in all, A Nice Indian Boy is a nice way to spend an evening.  G. Bruce Smith – Stage and Cinema SWEET Playwright Madhuri Shekar puts a fresh, multicultural, same-sex spin on the classic romantic comedy in her World Premiere dramedy A Nice Indian Boy, one of the best original plays I’ve seen […]

TARTUFFE (A NOISE WITHIN): 76% - SWEET

TARTUFFE (A NOISE WITHIN): 76% – SWEET

SWEET Overall it’s a delightful revival. If the darker nuances at times threaten the cascading hilarity, that won’t prohibit the enjoyment of so swankly appointed, proficiently acted a classical bauble as this representative company melee. David C. Nichols – LA Times SWEET Molière’s “Tartuffe,” which dates back to 1664, is not only a sire of […]

NOCTURNE (ACTORS COMPANY): 83% - SWEET

NOCTURNE (ACTORS COMPANY): 83% – SWEET

SWEET Adam Rapp’s hypnotic, intricately written elegy for the fallout from an unimaginable family tragedy receives a resolute production, in which noted Belgian actor George Regout makes an impressive North American stage debut as a 32-year-old former piano prodigy struggling to transcend the event that decimated his family and upended his life. David C. Nichols […]

THE DIFFERENT SHADES OF HUGH: 76% - SWEET

THE DIFFERENT SHADES OF HUGH: 76% – SWEET

SWEET This generic premise becomes far more intriguing after the artist stops taking his medication. Suddenly, phantoms of Paul Gauguin and Vincent van Gogh (Tom Musgrave and Zachary Mooren, doing a lovely vaudeville duo) crash into the garret to help our artist create memorable portraits and landscapes, born of self-destructive hallucinations. With good reason, his […]

DAY TRADER: 71% - BITTERSWEET

DAY TRADER: 71% – BITTERSWEET

SWEET In addition to being exceedingly well-written, Day Trader is skillfully directed and superbly acted. Ed Rampell – Hollywood Progressive SWEET Directed with shrewd subtlety by Steven Williford, Day Trader draws the audience in while winding its way through plot twists and seemingly random moments that won’t come together until the revelatory closing beats…though if […]

THE TWILIGHT OF SCHLOMO: 94% - SWEET

THE TWILIGHT OF SCHLOMO: 94% – SWEET

SWEET The climactic turn of Richard and Lydia could be slightly better foreshadowed in the direction and the writing, and this story screams for a synoptic stand-up epilogue. These are quibbles, because “The Twilight of Schlomo” is decidedly remarkable. Industry scouts and adventurous audiences should book tickets immediately. David C. Nichols – LA Times SWEET […]

The Saturday Saying

The Saturday Saying

“Focused performances limit undue dwelling on what exactly the foxes are intended to represent. Director Dámaso Rodriguez effectively balances King’s fanciful, open-ended allegory with visceral realism and mounting tension, despite the story’s predictable outcome.” Philip Brandes – from his review of “Foxfinder” (LA Times)

KURT WEILL AT THE CUTTLEFISH HOTEL (WEST END THEATRE): 90% - SWEET

KURT WEILL AT THE CUTTLEFISH HOTEL (WEST END THEATRE): 90% – SWEET

SWEET Still, fans of the material may well find this sui generis item rewarding. It’s certainly a promising initial attraction, unlike anything else afloat on Southland stages. David C. Nichols – LA Times BITTERSWEET As director and musical director, Paul Sand and Michael Roth complement each other in creating evocative stage moments within each of […]

ALADDIN AND HIS WINTER WISH (PASADENA PLAYHOUSE): 90% - SWEET

ALADDIN AND HIS WINTER WISH (PASADENA PLAYHOUSE): 90% – SWEET

BITTER As if to provide a counterpoint to the Troubies’ general excellence, Pasadena Playhouse is now hosting Aladdin and His Winter Wish, a shiny jukebox panto from the family that classed up our culture with television behemoths American Idol and So You Think You Can Dance. But with a hundred times the Troubadour budget, affording […]