RSSAll Entries Tagged With: "carol kaufman segal"

WHAT I LEARNED IN PARIS: 71% - BITTERSWEET

WHAT I LEARNED IN PARIS: 71% – BITTERSWEET

SWEET It’s enjoyable enough, dominated by the vibrant presence of L. Scott Caldwell as the ex-wife who has returned from transformational adventures in California to become Atlanta’s hostess with the mostest in Atlanta’s interracial post-election future. It’s fascinating to see how Cleage, who is black, downplays the role of race in her play – as […]

TURNING THIRTY: 100% - SWEET

TURNING THIRTY: 100% – SWEET

SWEET Veteran director/actor/playwright Chris DeCarlo directs this delightful cast in this very entertaining and humorous play. Carol Kaufman Segal – Stagehappenings SWEET This sweet froth, smoothly directed by Chris DeCarlo, contains performances that boast a nice amount of energy, sincerity, and warmth. And there’s certainly a place in the world for a cheerful, unassuming good-time […]

FLOWER DUET: 63% - BITTERSWEET

FLOWER DUET: 63% – BITTERSWEET

BITTER Undemanding playgoers may well find the proficient performances ample reason to go, but this “Duet” doesn’t exactly sing. David C. Nichols – LA Times SWEET Watching Flower Duet is like watching a well orchestrated dance, it draws you into a world that is foreign, yet so familiar. NoHo is fortunate to have this play […]

THE CURSE OF OEDIPUS (ANTAEUS): 93% - SWEET

THE CURSE OF OEDIPUS (ANTAEUS): 93% – SWEET

SWEET This is a show that deals squarely with many of the darkest human issues as well as the unique qualities of the ancient Greek Gods. It is absolutely not a musical nor a comedy, it is a rich and deep dramatic presentation bolstered by a superb cast; well actually two casts but I only […]

FALSE SOLUTION: 54% - BITTERSWEET

FALSE SOLUTION: 54% – BITTERSWEET

BITTER Written and directed by Oren Safdie, the idea of a young neophyte attacking a successful architect in his studio, in the manner that the play took, seemed too out of the ordinary and unbelievable. As for the attraction to one another, I found that even more incongruous. The play is extremely verbose, and though […]

THE LION IN WINTER (COLONY THEATRE): 78% - SWEET

THE LION IN WINTER (COLONY THEATRE): 78% – SWEET

SWEET Artistic Director Barbara Beckley has made a great choice in bringing The Lion in Winter to our community. This play is a must see, masterly mounted, and very well cast by Patricia Cullen. Brandon Scott – NoHoArtsDistrict SWEET I have seen several fine productions of this play in the past. Vlahos has worked well […]

BE A GOOD LITTLE WIDOW (NOHO ARTS CENTER): 71% - BITTERSWEET

BE A GOOD LITTLE WIDOW (NOHO ARTS CENTER): 71% – BITTERSWEET

SWEET Director Sara Botsford elicits fine performances from her well-balanced cast. F. Kathleen Foley – LA Times SWEET Gracefully segueing from what initially seems like a breezy romantic comedy to a thoughtful and heart-wrenching portrait of grief, family dynamics, and life’s unpredictable twists and turns, Bekah Brunstetter’s 2011 Off-Off-Broadway play “Be a Good Little Widow” […]

RUTH DRAPER'S MONOLOGUES (GEFFEN PLAYHOUSE): 92% - SWEET

RUTH DRAPER’S MONOLOGUES (GEFFEN PLAYHOUSE): 92% – SWEET

BITTERSWEET Perhaps the problem, aside from the material, is in Bening’s decision to direct herself. Aside from a vocal quality onstage that always seems a bit flat and somehow forced, Bening might have needed a second critical eye to help her better differentiate each of these four annoying women from one another. Directing oneself robs […]

THE SUIT (FREUD PLAYHOUSE): 86% - SWEET

THE SUIT (FREUD PLAYHOUSE): 86% – SWEET

SWEET Three years ago, also with the help of Estienne and Krawczyk, Brook reduced Mozart’s “The Magic Flute” down to its ritualistic essences, removing the magic and retaining the humanity. In the “The Suit,” however, the horrors won’t go away. But by making theater, music and dance inseparably one, Brook’s art reaches that cleansing Bachian […]

SOVEREIGN BODY: 81% - SWEET

SOVEREIGN BODY: 81% – SWEET

BITTERSWEET Beck’s decision to make Anna’s affliction an anthropomorphic one – a handsome devilish specter (Jack Millard), visible only to her, is responsible for her pain – adds an interesting dimension, helping to lift the overwritten and somewhat contrived script out of the movie-of-the-week waters into which it frequently lapses. Ultimately, the burden of a […]

THE LAST ACT OF LILKA KADISON: 75% - BITTERSWEET

THE LAST ACT OF LILKA KADISON: 75% – BITTERSWEET

SWEET Indeed, this delicately potent West Coast premiere, a co-production between the Falcon and Chicago’s Tony-winning Lookingglass Theatre Company, often seems to be composing itself before our eyes in a blend of magic realism and transparent emotion. David C. Nichols – LA Times SWEET Productions like The Grönholm Method, Billy & Ray, and February’s Bunny […]

THE PETRIFIED FOREST (THEATRE WEST): 71% - BITTERSWEET

THE PETRIFIED FOREST (THEATRE WEST): 71% – BITTERSWEET

SWEET It is a solid example of the Modernist movement in literature, and of high-stakes drama that is surprisingly still relevant and as wildly entertaining today as it must have been in 1935 when it was written. Patrick Hurley – LifeInLA SWEET Is there a chance for Gabby’s and Alan’s romance? Will Duke and his […]

GOD ONLY KNOWS (THEATRE 40): 63% - BITTERSWEET

GOD ONLY KNOWS (THEATRE 40): 63% – BITTERSWEET

SWEET If you enjoy a mystery, you will enjoy the United States Premiere of a mystery thriller at Theatre 40 in Beverly Hills. Whether you are a believer or not, you will enjoy God Only Knows, written by award-winning British playwright Hugh Whitemore. And you will definitely take pleasure in the work of the artists […]

HENRY V (PACIFIC RESIDENT THEATRE): 91% - SWEET

HENRY V (PACIFIC RESIDENT THEATRE): 91% – SWEET

SWEET I left the Pacific production in Venice with the feeling that I had just seen a rich and complex tale unfold before my eyes. Don Shirley – LA Observed BITTER In theory, it’s a fascinating concept. But among Henry V’s many virtues is the script’s tight construction. And the cost to the staging’s energy […]

SLOWGIRL (GEFFEN): 85% - SWEET

SLOWGIRL (GEFFEN): 85% – SWEET

SWEET But Pierce has caught the rhythms of teenage girl-speak, and Gray, a credentialed actress and University of Chicago student (no relation to this reviewer) revels in them. Her wonderfully gravelly voice and quirky delivery make Becky thoroughly entertaining. And the characters’ developing bond despite their differences is touching and persuasive. Margaret Gray – LA […]

MY NAME IS ASHER LEV: 94% - SWEET

MY NAME IS ASHER LEV: 94% – SWEET

SWEET The play isn’t an undiluted screed on behalf of unfettered art; it depicts the pain Asher’s parents undergo when they become the unwitting subjects of his masterpiece – and the conflicts this causes within the still-mostly-observant Asher. Don Shirley – LA Observed SWEET The story is not so surprising, but given the immediacy and […]

THE TRIP BACK DOWN (WHITEFIRE THEATRE): 62% - BITTERSWEET

THE TRIP BACK DOWN (WHITEFIRE THEATRE): 62% – BITTERSWEET

BITTERSWEET A full-throttle Whitefire Theatre revival revs “The Trip Back Down” up for a new spin, but unfortunately doesn’t restore John Bishop’s dated 1975 NASCAR-themed drama to street-legal status. Philip Brandes – LA Times SWEET Taking us into the world of competitive racecar drivers in 1975 … from the bawdy “rough ‘n tumble” lifestyle, to […]

INHERIT THE WIND (GROVE THEATRE CENTER): 89% - SWEET

INHERIT THE WIND (GROVE THEATRE CENTER): 89% – SWEET

SWEET An outstanding production of Inherit the Wind is being presented by Wasatch Theatre Ventures, under the judicious direction of Kiff Scholl with an absolutely marvelous cast that gives realism to this magnetic showpiece. Carol Kaufman Segal – Reviewplays SWEET This production, presented by Wasatch Theatrical Ventures and Theatre Planners, is solidly mounted, with many […]

NIGHT WATCH (THEATRE 40): 88% - SWEET

NIGHT WATCH (THEATRE 40): 88% – SWEET

SWEET Fletcher’s plot takes a bit too long to unravel, and she relies too heavily on offstage action. But she had a real knack for planting red herrings, ginning up suspense, and making us suspect every character. Director Bruce Gray fine-tunes the action to keep us guessing until the very end. Neal Weaver – ArtsInLA […]

THE DIFFERENT SHADES OF HUGH: 76% - SWEET

THE DIFFERENT SHADES OF HUGH: 76% – SWEET

SWEET This generic premise becomes far more intriguing after the artist stops taking his medication. Suddenly, phantoms of Paul Gauguin and Vincent van Gogh (Tom Musgrave and Zachary Mooren, doing a lovely vaudeville duo) crash into the garret to help our artist create memorable portraits and landscapes, born of self-destructive hallucinations. With good reason, his […]

THE GOSPEL ACCORDING TO THOMAS JEFFERSON, CHARLES DICKENS AND COUNT LEO TOLSTOY: DISCORD: 94% - SWEET

THE GOSPEL ACCORDING TO THOMAS JEFFERSON, CHARLES DICKENS AND COUNT LEO TOLSTOY: DISCORD: 94% – SWEET

SWEET Carefully compiled references and biographical details whiz by in Matt August’s finely tuned staging, with superb performances illuminating the clashing personalities that drive three discordant takes on Christianity. Philip Brandes – LA Times SWEET Strong acting, design, and writing enliven NoHo Arts’ Center’s entertaining, thought-provoking world premiere production of The Gospel According to Thomas […]

LIGHT UP THE SKY (THEATRE 40): 100% - SWEET

LIGHT UP THE SKY (THEATRE 40): 100% – SWEET

SWEET Laugh out loud funny, this fast paced comedy lights up the Los Angeles theatre scene this winter. Sandro Monetti – Thespian Thoughts SWEET Light Up the Sky by Moss Hart, directed by David McClendon, and produced by David Hunt Stafford at Theatre 40 in Beverly Hills has a very predictable story and is a […]

ASPIRIN & ELEPHANTS (SANTA MONICA PLAYHOUSE): 83% - SWEET

ASPIRIN & ELEPHANTS (SANTA MONICA PLAYHOUSE): 83% – SWEET

SWEET Despite some formulaic aspects, playwright Jerry Mayer’s boulevard comedy about intergenerational marital issues on a cruise ship is a surefire date show, a high-end sitcom with flashes of emotional heft. David C. Nichols – LA Times SWEET There is misunderstanding between the daughters and parents, but through amusing dialogue, humor, warmth, and understanding, all […]

MIRACLE ON SOUTH DIVISION STREET: 100% - SWEET

MIRACLE ON SOUTH DIVISION STREET: 100% – SWEET

SWEET At first glance, Miracle On South Division Street might not seem edgy enough to attract audiences outside the Colony’s subscriber demographic, but stick around for those revelations and the family’s reactions to them and younger, hipper theatergoers may find themselves pleasantly surprised. And you don’t have to like holiday plays to enjoy this zesty […]

TWELVE ANGRY MEN (PASADENA PLAYHOUSE): 81% - SWEET

TWELVE ANGRY MEN (PASADENA PLAYHOUSE): 81% – SWEET

BITTERSWEET Artistically speaking, “12 Angry Men” is a relatively safe choice, guaranteed to appeal to theatergoers who appreciate comfortable familiarity and an edifying moral tone. Epps injects some risk by making his production about racial bias, but I wish he and his theater were more ambitious. The play is too blunt an instrument for a […]

EVITA (PANTAGES): 85% - SWEET

EVITA (PANTAGES): 85% – SWEET

SWEET True, the show’s liabilities — protractedly archetypal characters, recounted rather than dramatized events, undistinguished lyrics, incessant reprises of main tunes — have not vanished. Yet what Grandage and Ashford achieve, along with an imposing design scheme and a formidable triple-threat ensemble, largely minimizes those flaws. David C. Nichols – LA Times SWEET You might […]

THE MYSTERY OF IRMA VEP (FALCON THEATRE): 93% - SWEET

THE MYSTERY OF IRMA VEP (FALCON THEATRE): 93% – SWEET

SWEET The Falcon Theatre wows with its current hour-and-45 of non-stop, sidesplitting hilarity: Charles Ludlam’s 1984 “The Mystery of Irma Vep.” Two very talented and versatile actors, Matthew Floyd Miller and Jamie Torcellini, inhabit multiple roles using the utmost of their physical comedy expertise and impeccable comedic timing to delight the audience with the high […]

SUNNY AFTERNOON: 88% - SWEET

SUNNY AFTERNOON: 88% – SWEET

SWEET This is one of the best ensemble casts I’ve seen in long time. Patricia Foster Rye – Pat Rye Reviews SWEET If ever there were a play tailored to fit gangbusters’ goal of “staging the imagined truth with speed and violence,” Sunny Afternoon is that play (though any violence taking place is entirely offstage). […]

THE LIGHT BULB: 60% - BITTERSWEET

THE LIGHT BULB: 60% – BITTERSWEET

SWEET The NoHo Arts Center Ensemble scores another hit with the world premiere of “The Light Bulb.” The talented cast gives full life to the smart, witty and cohesive dialogue written by Joshua Ravetch (previously seen last year at the NoHo Arts with his other hit and world premiere “One November Yankee”). Artistic Director James […]

KIN: 76% - SWEET

KIN: 76% – SWEET

BITTER Unfortunately the characters in this production seem to be a hodgepodge of stereotypes not fully realized by the author and the jumping around within the last seven years in both America and Ireland was oftentimes confusing. Shari Barrett – BroadwayWorld SWEET The outcome doesn’t really take us anywhere we haven’t been, yet it certainly […]