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THE GOAT OR, WHO IS SYLVIA? (L.A. GAY AND LESBIAN CENTER): 100% - SWEET

THE GOAT OR, WHO IS SYLVIA? (L.A. GAY AND LESBIAN CENTER): 100% – SWEET

SWEET Every Los Angeles theatergoer should be so lucky as to see a show this ecstatic. Because all this work is in service of literature that evaluates the sexual morality, the emotional fidelity, the personal integrity we all would like to claim; and it asks of these things what they say about our natures. You […]

THE BEHAVIOR OF BROADUS: 100% - SWEET

THE BEHAVIOR OF BROADUS: 100% – SWEET

SWEET As delightfully self-assured as it is comically self-referential, made up of equal parts whimsy, wacky, profane and profound, this cracked experiment in satirical musical development is a wickedly entertaining watershed for Sacred Fools Theater Company, the Burglars of Hamm, Center Theatre Group and the general theatrical landscape. David C. Nichols – LA Times SWEET […]

HAPPY DAYS (BOSTON COURT): 100% - SWEET

HAPPY DAYS (BOSTON COURT): 100% – SWEET

SWEET This production, which features Broadway veteran and multiple Emmy winner Tony Shalhoub, Adams’ real-life husband, in the role of Willie, Winnie’s there-but-not-there life partner, preserves the universality of Beckett’s vivid stage metaphor while making it seem right at home in Southern California. Charles McNulty – LA Times SWEET No other dramatist has ever been […]

SPRING AWAKENING (DEAF WEST): 100% - SWEET

SPRING AWAKENING (DEAF WEST): 100% – SWEET

SWEET The ensemble numbers are precisely choreographed by Director Michael Arden and Choreographer Spencer Liff; the signing never gets in the way, and each cast member is vitally utilized like in a giant, coordinated human body, each part giving life to the whole. The second act unfolds into the ultimate tragedy the piece becomes as […]

COCK: 94% - SWEET

COCK: 94% – SWEET

SWEET The ideal convergence of Mike Bartlett’s incredibly realistic script vividly emoted by the very talented four member cast, as tightly directed by Cameron Watson, make for a totally engrossing 90 minutes. Gil Kaan – BroadwayWorld SWEET Only a highly talented group of actors could deliver the play’s potent message, and the cast at the […]

THE TEMPEST (SOUTH COAST REP): 93% - SWEET

THE TEMPEST (SOUTH COAST REP): 93% – SWEET

BITTERSWEET I wish I could report that the acting was equal to the scenic imagination. This still strikes me as a production that doesn’t have all that much faith in Shakespeare’s ability to captivate a modern audience. Charles McNulty – LA Times SWEET To avoid being the one person in your circle not to have […]

THOROUGHLY MODERN MILLIE (GLENDALE CENTRE THEATRE): 100% - SWEET

THOROUGHLY MODERN MILLIE (GLENDALE CENTRE THEATRE): 100% – SWEET

SWEET A Tony-winning 2002 musical based on the 1967 Julie Andrews film of the same name, “Thoroughly Modern Millie” is a smorgasbord of giddy fluff. Director Danny Michaels’ and co-director/choreographer Orlando Alexander’s bare-bones production, staged in the round with virtually no scenery, makes up for its lack of glitz with spirited comic performances in a […]

THE LIFE AND SORT OF DEATH OF ERIC ARGYLE (SON OF SEMELE): 90% - SWEET

THE LIFE AND SORT OF DEATH OF ERIC ARGYLE (SON OF SEMELE): 90% – SWEET

BITTERSWEET I teetered early on the verge of boredom, staved off by the fine production until the last twenty minutes, the end a foregone conclusion in a play that just wouldn’t stop chattering. Jason Rohrer – Stage and Cinema SWEET Eventually there’s a twist to the story that, along with the play’s heavy exposition, did […]

THE WESTERN UNSCRIPTED (FALCON THEATRE): 95% - SWEET

THE WESTERN UNSCRIPTED (FALCON THEATRE): 95% – SWEET

SWEET It’s such a confident company that there are very few showboats. Long-form improvisation allows the inspiration of the moment – requires it – to drive the story; a couple months back I saw Fredrickson run wild upon a Sondheim UnScripted show with a series of intelligent, perceptive writing decisions and wildly successful character choices. […]

TRYING (INTERNATIONAL CITY THEATRE): 100% - SWEET

TRYING (INTERNATIONAL CITY THEATRE): 100% – SWEET

SWEET What the script lacks in surprises, it makes up for in its nuanced, beautifully written portrait of Biddle, an inestimable gift to an actor, and one that the wonderful Abatemarco, under the skillful direction of John Henry Davis, exploits to the fullest. Margaret Gray – LA Times SWEET Long Beach’s International City Theatre (ICT) […]

THE FACE IN THE REEDS: 92% - SWEET

THE FACE IN THE REEDS: 92% – SWEET

BITTERSWEET As the cast takes turns revealing their little secrets, and I must admit there are a few doozies, I said, “Self this is one screwed-up bunch” but in reality, nothing new or unexpected. There was just too much going on and by the time the story arched to the predictable climax I was more […]

MOON OVER BUFFALO (GROVE THEATRE CENTER): 100% - SWEET

MOON OVER BUFFALO (GROVE THEATRE CENTER): 100% – SWEET

SWEET Ludwig’s play, like an old-fashioned steam locomotive, starts out slowly and a bit laboriously, but it soon builds up a head of comic steam, puffing along merrily and careening dizzily into the madcap finale. Director Kiff Scholl has assembled an expert cast, supplied them with a wonderful array of pratfalls, and pulled off a […]

ALL'S WELL THAT ENDS WELL (THEATRICUM BOTANICUM): 96% - SWEET

ALL’S WELL THAT ENDS WELL (THEATRICUM BOTANICUM): 96% – SWEET

SWEET That we follow the largely unedited text through its dark moments and plot convolutions to an earned happy conclusion testifies to the curiosity factor and the clarity of storytelling at play. “All’s Well” may not be a flawless work, but it nonetheless ends well here. David C. Nichols – LA Times SWEET If you […]

ONE IN THE CHAMBER: 100% - SWEET

ONE IN THE CHAMBER: 100% – SWEET

SWEET For committed theatergoers, there’s no happier occasion than stumbling upon a mature, polished work of dramatic art where you never expected to find one. In the little hole-in-the-wall Lounge on Santa Monica Boulevard, 6140 Productions is putting up the world premiere of Marja-Lewis Ryan’s One in the Chamber, and you will not encounter a […]

THE GAMESTER (THEATRE 40): 100% - SWEET

THE GAMESTER (THEATRE 40): 100% – SWEET

SWEET The Gamester offers impulsive appetites, mistaken identity and course comeuppance — nothing new in comedy, but it does so with classic charm and contemporary wit, and couplets that will tickle both the bookish and illiterate. Jordan Riefe – The Hollywood Reporter SWEET To quote indomitable playwright, William Shakespeare, “All’s well that ends well.” You […]

LEAR (THEATRICUM BOTANICUM): 95% - SWEET

LEAR (THEATRICUM BOTANICUM): 95% – SWEET

SWEET Given that this take on the original’s rigidly patriarchal universe is fundamentally bonkers, it’s impressive how well co-adapter/directors Ellen Geer and Melora Marshall succeed in illuminating subtext and broadening the scope of Shakespeare’s darkest tragedy. Philip Brandes – LA Times SWEET We think it’s extraordinary and perfect for a cozy evening of high-brow stimulation. […]

BROADWAY BOUND (ODYSSEY THEATRE): 94% - SWEET

BROADWAY BOUND (ODYSSEY THEATRE): 94% – SWEET

SWEET Director Jason Alexander, who originated the role of Stanley in the Broadway premiere, imparts his command of the material into an attentively drilled cast. Despite limited rehearsal time, the actors have become comfortable enough to dredge shaded subtext from their roles, which is impressive especially under the close scrutiny of an audience shoved smack […]

MUCH ADO ABOUT NOTHING (THEATRICUM BOTANICUM): 100% - SWEET

MUCH ADO ABOUT NOTHING (THEATRICUM BOTANICUM): 100% – SWEET

SWEET An evening under the stars at the Theatricum Botanicum rarely disappoints. No exception to that general rule, “Much Ado About Nothing,” playing in repertory in the theater’s sylvan Topanga setting, is light of heart and deft of foot. Although they occasionally overdo the slapstick, co-directors Ellen Geer and Willow Geer have undoubtedly crafted a […]

TURNING THIRTY: 100% - SWEET

TURNING THIRTY: 100% – SWEET

SWEET Veteran director/actor/playwright Chris DeCarlo directs this delightful cast in this very entertaining and humorous play. Carol Kaufman Segal – Stagehappenings SWEET This sweet froth, smoothly directed by Chris DeCarlo, contains performances that boast a nice amount of energy, sincerity, and warmth. And there’s certainly a place in the world for a cheerful, unassuming good-time […]

A STREETCAR NAMED DESIRE (GROUP REP): 100% - SWEET

A STREETCAR NAMED DESIRE (GROUP REP): 100% – SWEET

SWEET Now onstage at the group rep in NoHo, Streetcar may be a daring choice for this company, but under L. Flint Esquerra’s caring and detailed direction and with four actors perfectly cast in the lead roles, it is something to sing about. Don Grigware – BroadwayWorld SWEET The current production of Tennessee Williams’s classic […]

SACRED ELEPHANT: 90% - SWEET

SACRED ELEPHANT: 90% – SWEET

SWEET The play, which is about the world’s largest mammal, is powerful, and boasts an unsettling performance. It’s an adaptation of Heathcote Williams’s 15-part long poem about the elephant species, and the perils it faces on account of incurable human ignorance. This powerful production brings to the Odyssey’s stage one of South Africa’s most celebrated […]

CAT FIGHT: 100% - SWEET

CAT FIGHT: 100% – SWEET

SWEET Cat Fight works, as only theatre can. It reaches into its subject, and into us, deeply. And it delivers so much of womanhood’s “infinite variety” that once you’ve seen it — whatever your sex or gender — I doubt you’ll ever see a woman, or be in the company of one, or encounter yourself […]

BUYER AND CELLAR: 98% - SWEET

BUYER AND CELLAR: 98% – SWEET

SWEET Wicked without being unnecessarily cruel, Buyer and Cellar takes jabs at the cult of celebrity while reminding us why we’re so fascinated by it in the first place. Streisand’s eccentric behavior is counterbalanced by nice moments of humanity — awkwardly comforting a distraught Alex or revealing a painful childhood secret. But then Barry makes […]

I'M NOT JUST A COMIC GENIUS: 100% - SWEET

I’M NOT JUST A COMIC GENIUS: 100% – SWEET

SWEET The show is worth seeing if you are in the mood for a light comedy. Daniel Faigin – Observations Along the Road SWEET It is hilarious, disturbing, superbly written and immediately engaging. Corina Roberts – La Canada Flintridge Patch SWEET Riotous comedy sequences, nice wordplay, and fine acting make I’m Not Just a Comic […]

THE CURSE OF OEDIPUS (ANTAEUS): 93% - SWEET

THE CURSE OF OEDIPUS (ANTAEUS): 93% – SWEET

SWEET This is a show that deals squarely with many of the darkest human issues as well as the unique qualities of the ancient Greek Gods. It is absolutely not a musical nor a comedy, it is a rich and deep dramatic presentation bolstered by a superb cast; well actually two casts but I only […]

THE BROTHERS SIZE (FOUNTAIN THEATRE): 97% - SWEET

THE BROTHERS SIZE (FOUNTAIN THEATRE): 97% – SWEET

SWEET The battle over Oshoosi’s fate plays out with thrilling immediacy in this staging by Shirley Jo Finney, who also directed “In the Red and Brown Water” at the Fountain. She is ably assisted by Hana S. Kim’s evocative, abstract set, Ameenah Kaplan’s powerful choreography, Peter Bayne’s original music arranged by Brenda Lee Eager, and […]

STUPID FUCKING BIRD: 96% - SWEET

STUPID FUCKING BIRD: 96% – SWEET

SWEET The reason you need to stop and buy tickets now – is it closes July 27th and the rest of this ensemble cast is remarkable. Throw in the fact that it’s beautifully designed and crisply directed – really please don’t miss this one – it’s worth the trip to Pasadena. Anthony Byrnes – KCRW […]

LAND LINE: 92% - SWEET

LAND LINE: 92% – SWEET

SWEET And yet I thoroughly enjoyed the mood I was in after the play. Dramatic issues aside, for at least one member of the demographic at whom the Rabbit Hole-esque drama seems to aim, it’s a very pleasant reverie on familiar traumas. It’s like going home at a comfortable remove, so much so that I […]

LINDEN ARDEN STOLE THE HIGHLIGHTS (HOLLYWOOD FRINGE): 100% - SWEET

LINDEN ARDEN STOLE THE HIGHLIGHTS (HOLLYWOOD FRINGE): 100% – SWEET

SWEET I’d never heard Van Morrison’s “Linden Arden Stole the Highlights” before I saw Colin Mitchell’s play of the same name. Frankly, it doesn’t matter, because Mitchell has taken the rather obscure lyrics of that 1974 song and created a fully fleshed-out character whose story makes for riveting theater. Kurt Gardner – Blog Critics SWEET […]

ZOMBIES FROM THE BEYOND (VISCERAL COMPANY): 100% - SWEET

ZOMBIES FROM THE BEYOND (VISCERAL COMPANY): 100% – SWEET

SWEET Part of what makes this show such a rollicking good time is this juxtaposition of good-natured silliness with the political commentary in Valcq’s clever lyrics. Executing ludicrous camp like this takes skill, and here the production delivers. Dan Spurgeon’s staging – his direction of a versatile ensemble in a tiny space – is admirably […]