In a seamless staging, the dozen performers move through the blackness with almost uncanny agility and poise.
F. Kathleen Foley – LA Times
It’s creative and imaginative and full of surprises.
Rose Desena – Los Angeles Post
Some ideas don’t even sound good on paper. This one, however, turns out to be a thoroughly entertaining and relatively informative one.
Dany Margolies – ArtsInLA
Sound becomes your touchstone and the sound design by John Zalewski is brilliant. Using live sound effects and pre-recorded music it puts the plays in perspective.
Patricia Rye Foster – Larchmont Chronicle
If not, however, the collection of one-act sketches is an unexpectedly vivid series of ghost stories, radio-style dramas and other mysterious theatrical episodes that emphasize virtually all senses but sight.
Paul Birchall – LA Weekly
Did I enjoy the evening? The answer is yes, but not so much that I’d want to see — oops, listen to — Part Two.
Willard Manus – Total Theater
All of this could have invoked the excitement of the radio listening era with a new and interesting edge and twist.
Phillip Kelly – MadTheatrics
Presented by a diverse 12-person-strong ensemble of seasoned actors, some of whom wrote and created the pieces you’ll hear, Theatre in the Dark is a collection of existing literature, commissioned plays and original company works that culminates in a sensory experience the audience will never forget.
Jenny Platt – LifeInLA
Concept theatre is difficult to execute and to absorb fully, but the experience is definitely worthwhile and will make you appreciate man’s complex ability to utilize the senses optimally.
Don Grigware – Grigware Reviews
The cast were magnificent, full stop. The performances sounded seamless. Even if there were a few that I enjoyed more than others, they were PERFORMING IN THE DARK. Accents changed, volume raised and dropped, everything they did added to a very unique production.
Ramona Pilar Gonzales – PLAywriting in the City
Despite that, this new concept feels charmingly old-fashioned and certainly is a fresh way to spend an evening. Credits for the night are varied and include six directors, 12 actors and 13 writers—some alive and some not so much.
Kevin P. Taft – Frontiers
The show is a fun and fascinating experiment full of unexpected curves.
Jennie Webb – Backstage (review of best of “Beyond Dark”)
Overall, the cast of “Beyond Dark” re-introduces you to a world we have always lived in: A place where all of your other sense are forced to work double time since your memories of the visual world begin to fade, and your mind and eyes fight the dark. It is an unforgettable experience.
Cesar Cruz – Campus Circle
THEATRE IN THE DARK: DARK (EVENING ONE)
2055 S. Sepulveda Blvd., Los Angeles
8 p.m. Wed., Nov. 14; 8 p.m. Thursdays-Saturdays, 2 p.m. Sundays
“BEST OF” EXTENDED THROUGH FEB. 9, 2013
Tickets: $25-$30; (310) 477-2055, Ext. 2
Running time: 1 hour, 30 minutes
About the Author: COLIN MITCHELL: Actor/Writer/Director/Producer/Father, award-winning playwright and screenwriter, Broadway veteran, Marvel comics scribe, Van Morrison disciple, Zen-Catholic, a proud U.S. Army Brat conceived in Scotland and born in Frankfurt, Germany, currently living in Los Angeles and doing his best to piss off as many people as possible.