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	<title>Comments on: Why was Stage and Cinema Critic Tony Frankel Rejected by the Los Angeles Drama Critics Circle? [UPDATED]</title>
	<atom:link href="http://losangeles.bitter-lemons.com/2011/12/04/why-was-stage-and-cinema-critic-tony-frankel-rejected-by-the-los-angeles-drama-critics-circle/feed/" rel="self" type="application/rss+xml" />
	<link>http://losangeles.bitter-lemons.com/2011/12/04/why-was-stage-and-cinema-critic-tony-frankel-rejected-by-the-los-angeles-drama-critics-circle/</link>
	<description>Bringing the Los Angeles Theatre Community closer together.  Whether It likes it or not.</description>
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		<title>By: Fred S.</title>
		<link>http://losangeles.bitter-lemons.com/2011/12/04/why-was-stage-and-cinema-critic-tony-frankel-rejected-by-the-los-angeles-drama-critics-circle/comment-page-1/#comment-174868</link>
		<dc:creator>Fred S.</dc:creator>
		<pubDate>Fri, 09 Dec 2011 00:12:17 +0000</pubDate>
		<guid isPermaLink="false">http://losangeles.bitter-lemons.com/?p=21962#comment-174868</guid>
		<description>It&#039;s so incredibly difficult to determine WHY anyone is allowed the distinction to be a critic. It is even more difficult to explain the chosen few who are able to join the ranks of such esteemed circles as the LADCC.

That said, I know some of Tony&#039;s work and for the most part it&#039;s solid and compelling. I&#039;ve been reading Pauline Adamek&#039;s work for years, long before her reviews in the LA Weekly (including her articles in Filmink, Premiere and other film publications) and I can tell you she deserves the membership in the LADCC. She&#039;s a tireless critic with a wide ranging personal background to pull from. Judging by her blog, she sees theatre almost daily. She tells it like it is, all while maintaining a love for the art of it.

Sorry that I can&#039;t answer why Tony and Sarah were rejected. Maybe it was controversy related. Luckily there&#039;s always the next round and hopefully the LADCC will keep welcoming new authentic voices to their ranks.</description>
		<content:encoded><![CDATA[<p>It&#8217;s so incredibly difficult to determine WHY anyone is allowed the distinction to be a critic. It is even more difficult to explain the chosen few who are able to join the ranks of such esteemed circles as the LADCC.</p>
<p>That said, I know some of Tony&#8217;s work and for the most part it&#8217;s solid and compelling. I&#8217;ve been reading Pauline Adamek&#8217;s work for years, long before her reviews in the LA Weekly (including her articles in Filmink, Premiere and other film publications) and I can tell you she deserves the membership in the LADCC. She&#8217;s a tireless critic with a wide ranging personal background to pull from. Judging by her blog, she sees theatre almost daily. She tells it like it is, all while maintaining a love for the art of it.</p>
<p>Sorry that I can&#8217;t answer why Tony and Sarah were rejected. Maybe it was controversy related. Luckily there&#8217;s always the next round and hopefully the LADCC will keep welcoming new authentic voices to their ranks.</p>
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		<title>By: Colin Mitchell</title>
		<link>http://losangeles.bitter-lemons.com/2011/12/04/why-was-stage-and-cinema-critic-tony-frankel-rejected-by-the-los-angeles-drama-critics-circle/comment-page-1/#comment-172491</link>
		<dc:creator>Colin Mitchell</dc:creator>
		<pubDate>Wed, 07 Dec 2011 02:23:19 +0000</pubDate>
		<guid isPermaLink="false">http://losangeles.bitter-lemons.com/?p=21962#comment-172491</guid>
		<description>Apparently critic Sarah Taylor Ellis also applied and was rejected. I understand that her work as a composer, music director and dramaturg may have nullified her - according to the LADCC rules - but man, what a mistake.

No Tony no Sarah. You LadSissies are just shooting off toes right and left. Tiiimbeeerrr!</description>
		<content:encoded><![CDATA[<p>Apparently critic Sarah Taylor Ellis also applied and was rejected. I understand that her work as a composer, music director and dramaturg may have nullified her &#8211; according to the LADCC rules &#8211; but man, what a mistake.</p>
<p>No Tony no Sarah. You LadSissies are just shooting off toes right and left. Tiiimbeeerrr!</p>
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		<title>By: Colin Mitchell</title>
		<link>http://losangeles.bitter-lemons.com/2011/12/04/why-was-stage-and-cinema-critic-tony-frankel-rejected-by-the-los-angeles-drama-critics-circle/comment-page-1/#comment-171486</link>
		<dc:creator>Colin Mitchell</dc:creator>
		<pubDate>Tue, 06 Dec 2011 08:25:22 +0000</pubDate>
		<guid isPermaLink="false">http://losangeles.bitter-lemons.com/?p=21962#comment-171486</guid>
		<description>And the winner is....Pauline Adamek! The newest member of the LADCC.

Yup.</description>
		<content:encoded><![CDATA[<p>And the winner is&#8230;.Pauline Adamek! The newest member of the LADCC.</p>
<p>Yup.</p>
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		<title>By: Colin Mitchell</title>
		<link>http://losangeles.bitter-lemons.com/2011/12/04/why-was-stage-and-cinema-critic-tony-frankel-rejected-by-the-los-angeles-drama-critics-circle/comment-page-1/#comment-171374</link>
		<dc:creator>Colin Mitchell</dc:creator>
		<pubDate>Tue, 06 Dec 2011 06:03:38 +0000</pubDate>
		<guid isPermaLink="false">http://losangeles.bitter-lemons.com/?p=21962#comment-171374</guid>
		<description>So according to minds much greater than my own (an easy task) it looks like Amy and Mayank are NOT brand new members and have been on the list at least since 2010: http://www.examiner.com/theater-in-los-angeles/2009-los-angeles-drama-critics-circle-awards-part-i. So apologies to them on that point.

That said, it kinda makes my point hit home even harder, because it looks like the membership has added NO ONE this year, making the rejection of someone as worthy as Tony even more of a travesty.

That is all. Carry on.</description>
		<content:encoded><![CDATA[<p>So according to minds much greater than my own (an easy task) it looks like Amy and Mayank are NOT brand new members and have been on the list at least since 2010: <a href="http://www.examiner.com/theater-in-los-angeles/2009-los-angeles-drama-critics-circle-awards-part-i" rel="nofollow">http://www.examiner.com/theater-in-los-angeles/2009-los-angeles-drama-critics-circle-awards-part-i</a>. So apologies to them on that point.</p>
<p>That said, it kinda makes my point hit home even harder, because it looks like the membership has added NO ONE this year, making the rejection of someone as worthy as Tony even more of a travesty.</p>
<p>That is all. Carry on.</p>
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		<title>By: Jason Rohrer</title>
		<link>http://losangeles.bitter-lemons.com/2011/12/04/why-was-stage-and-cinema-critic-tony-frankel-rejected-by-the-los-angeles-drama-critics-circle/comment-page-1/#comment-170823</link>
		<dc:creator>Jason Rohrer</dc:creator>
		<pubDate>Mon, 05 Dec 2011 17:23:52 +0000</pubDate>
		<guid isPermaLink="false">http://losangeles.bitter-lemons.com/?p=21962#comment-170823</guid>
		<description>Tony Frankel belongs in the company of real heroes.  Any organization would be lucky to accept his membership.  He would go to the theater daily if he could.  His reviews are consistently thoughtful, which can be said about a few writers; but his thoughts matter, which cannot be said about many.  His sense of history and context inform farsighted judgments, and that can be said about which of the names on the above list?  

So, politics aside, what did politics have to do with this political decision?</description>
		<content:encoded><![CDATA[<p>Tony Frankel belongs in the company of real heroes.  Any organization would be lucky to accept his membership.  He would go to the theater daily if he could.  His reviews are consistently thoughtful, which can be said about a few writers; but his thoughts matter, which cannot be said about many.  His sense of history and context inform farsighted judgments, and that can be said about which of the names on the above list?  </p>
<p>So, politics aside, what did politics have to do with this political decision?</p>
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