Critique of the Week

Jennifer K. Hugus of The Los Angeles Beat has an interesting “reviewing” style, sort of a “first person eye witness account” of the show she’s seen. Sometimes she loses me in her rather refracted lens world and I never really get a sense for the show she’s seeing, only her, which might be what’s she’s [...]

Critique of the Week – Runner Up

What I love most about this review is that although Rose clearly was not thrilled with this show, her review actually makes me want to go and see it. TASTE Rose Desena – The Los Angeles Post The past two weeks have been interesting in terms of shows. First, I saw a psychopathic teenager and [...]

The Saturday Saying

“The sophisticated, snarky bon mots of Noel Coward floated up and got lost in the rafters of the Malibu Playhouse. At intermission the man sitting next to me asked how I liked the play. “I don’t know,” I responded. “I didn’t get a word they said.” “Oh thank god,” he said. “I thought it was [...]

MANICOMIO: 83% – SWEET

SWEET Details aren’t really the point. And I don’t want to spoil the surprises in store for those interested in viewing the show. Let me instead simply point out the cast–including Jared Adams, Charlotte Bjornbak, Jahel Corban Caldera, Joachim De La Rua, Samm Hill, Tyler Koster, Leif La Duke, R. Benjamin Warren, Jessica Weiner, Ramona [...]

Actor Franco calls NY Times’ Critic Brantley a “Little Bitch”

Now why can’t we have more sophisticated debate like this here at the Lemon? C’mon, people, kick it up a notch! If you missed the “news” you can read it here. And here’s a link to Brantley’s review of Of Mice and Men currently on B’way. And below is Franco’s instagram that delivered the whiney [...]

The Dramaturg: America’s Most Relevant Play, Round 2

Welcome to the second round, everyone. Glad you could join us on this beautiful day for theatrical bloodsport! A quick note of congratulations before we get to it goes out to Annie Baker for taking home the 2014 Pulitzer in Drama for The Flick. Her Circle Mirror Transformation was just a Tony nom away from [...]

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  • Comments Section Fixed

    Comments Section Fixed

    Apologies for all the technical problems over the last few days, LemonHeads. It appears we are back in business so comment away!

  • Rogue Machine Season 7 brings NEW PLAYS to Los Angeles

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  • 99 Ways to Fuck a Swan at The Illyrian Player’s Theatre Company

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  • LA premiere of “Ajax in Iraq” at Miles Memorial Playhouse

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  • Superhero’s meets crime noir in this West Coast premiere! Opens April 18th

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  • Archway Theatre presents “Salome”

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  • Critique of the Week – Runner Up

    Critique of the Week – Runner Up

    Ernest just imbues his reviews with such intellectual play that they almost always stand out. Another beauty. Oh. He also mentions the Lemon in this one so there’s that… DOCTOR ANONYMOUS Ernest Kearney – Working Author Joel Daavid is an excellent designer and for “Doctor Anonymous” now playing at the Zephyr theatre on Melrose he [...]

  • Critique of the Week – Runner Runner Up

    Critique of the Week – Runner Runner Up

    First review I’ve ever read by Jonathan Ross. I really like his writing. Dunno what else to say. It’s bright, it’s bold, it doesn’t condescend, kinda playful, but mostly not afraid to just say “Hey, this is what I thought and why.”  I just fucking like it. Jonathan want to write some funny stuff for [...]

  • Another Saturday Saying

    Another Saturday Saying

    “Because good enough is the name of the game and with a couple of credits under your belt, no critic or discerning audience member will cry foul, such is the world we live in ripe with weakness. This play was beneath The Visceral Company, not the other way around. I’m not the hardest critic in [...]

  • The Saturday Saying

    The Saturday Saying

      “Opening night for this show was interesting in one regard, half the house, literally half the house, was press. I haven’t seen such a cluster of critics and reviewers assembled for an opening night since I don’t know when. (Kudos to publicist Lucy Pollak). I couldn’t help thinking if an asteroid struck the place [...]

  • Theatrical Producers League of Los Angeles (TPLLA) Responds to Vanity Fair

    Theatrical Producers League of Los Angeles (TPLLA) Responds to Vanity Fair

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  • Rebecca Ann Johnson and Damon Kirsche in Musical Theatre West's Production of "'S Wonderful". Photo: Zomna Avila.

    ‘S WONDERFUL: 75% – BITTERSWEET

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  • For The Record Live Does Some Damage Control over Vanity Fair Flack

    For The Record Live Does Some Damage Control over Vanity Fair Flack

    Not that they needed to really, but this from their Facebook page not long ago: For The Record goes on the record to state that theater is alive and well in Los Angeles. For The Record was created to shine a spotlight on the incredible theater artists that populate this incredible creative city through a [...]

  • “I love LA theatre because it’s fearless.” – Response to Vanity Fair from an LA Theater Fan

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  • Taylor Gilbert (center front) with (back row from left to right) Hannah Mae Sturges, Jack Millard and Dani Stephens in "Sovereign Body" at the Road Theatre. Photo: John Lorenz.

    SOVEREIGN BODY: 80% – SWEET

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  • LA Weekly’s Uncle Steven Responds to the Vanity Fair Idiot

    LA Weekly’s Uncle Steven Responds to the Vanity Fair Idiot

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  • Calling All Los Angeles Theater Artistic Directors!

    Calling All Los Angeles Theater Artistic Directors!

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  • The Friday Feature

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  • Happening Now: LA Theater Takes Vanity Fair to Task over Some Dumb Article Written by a Guy Named Jimmy IM [UPDATED: JIMMY IM BACKTRACKING]

    Happening Now: LA Theater Takes Vanity Fair to Task over Some Dumb Article Written by a Guy Named Jimmy IM [UPDATED: JIMMY IM BACKTRACKING]

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  • Getting “Ritchie” has not Been the Antidote for LA Theater’s Dire Circumstances

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  • Hal Landon Jr. and Lynn Milgrim in "Rest" at South Coast Repertory. Photo by Debora Robinson/SCR.

    REST (SOUTH COAST REP): 92% – SWEET

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  • Deborah Strang and Geoff Elliott in "Come Back, Little Sheba" at A Noise Within. Photo: Craig Schwartz.

    COME BACK, LITTLE SHEBA (A NOISE WITHIN): 100% – SWEET

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  • "A Midsummer Night's Dream" at the Broad Stage. Photo: Simon Annand.

    A MIDSUMMER NIGHT’S DREAM (BROAD STAGE): 80% – SWEET

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