ECHO ONE ACTS 2014: 88% – SWEET

BITTERSWEET I notice that I have used the pejorative “little” for some of these scripts, and not for others. There’s a reason. “As We Sleep” does not feel little, despite its short running time, because of its universal truths and earned laughs. The not-much-longer “General Sherman’s Hollow Body,” despite seeming unfinished, feels epic in its […]

ONE IN THE CHAMBER: 100% – SWEET

SWEET For committed theatergoers, there’s no happier occasion than stumbling upon a mature, polished work of dramatic art where you never expected to find one. In the little hole-in-the-wall Lounge on Santa Monica Boulevard, 6140 Productions is putting up the world premiere of Marja-Lewis Ryan’s One in the Chamber, and you will not encounter a […]

WITHOUT ANNETTE: 78% – SWEET

SWEET Improvisation is the ability to perform without preparation, about being in a moment of truth and bringing the audience with you. This connection creates a spontaneous reaction between performer and audience, resulting in anything from uproarious laughter to anguished tears – or any emotion in between. Anyone wishing to experience this sensation should get […]

Why is Stage and Cinema Being Removed from Review Lists?

It has come to my attention that one of the top publicists in Los Angeles, David Elzer, has recommended to his clients that they no longer offer free tickets and invitations to Stage and Cinema. Also on the list of those that have removed Stage and Cinema are publicist Michael Sterling who works with 3D Theatricals. Stage and Cinema, […]

THE GAMESTER (THEATRE 40): 100% – SWEET

SWEET The Gamester offers impulsive appetites, mistaken identity and course comeuppance — nothing new in comedy, but it does so with classic charm and contemporary wit, and couplets that will tickle both the bookish and illiterate. Jordan Riefe – The Hollywood Reporter SWEET To quote indomitable playwright, William Shakespeare, “All’s well that ends well.” You […]

WILLIAM SHAKESPEARE’S THE TEMPEST (T.U. STUDIOS): 72% – BITTERSWEET

BITTERSWEET And with all the asides to the audience, along with more contemporary language, those less familiar with Shakespeare may find this production a good introduction to the Bard. However, please be forewarned this is a very LOUD presentation in a very small space. From the title music to the ear-piercing shrieks of characters confronting […]

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  • DIAHANN CARROLL AS THE PASADENA PLAYHOUSE’S 2014 DIVERSITY AWARD HONOREE

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  • The Vacancy at The Lost Studio LA

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  • Fringe Theatre Company Presents You Love That I’m NOT Your Wife

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  • Live Arts Exchange (LAX)

    Live Arts Exchange (LAX)

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  • LEAR (THEATRICUM BOTANICUM): 95% - SWEET

    LEAR (THEATRICUM BOTANICUM): 95% – SWEET

    SWEET Given that this take on the original’s rigidly patriarchal universe is fundamentally bonkers, it’s impressive how well co-adapter/directors Ellen Geer and Melora Marshall succeed in illuminating subtext and broadening the scope of Shakespeare’s darkest tragedy. Philip Brandes – LA Times SWEET We think it’s extraordinary and perfect for a cozy evening of high-brow stimulation. […]

  • IN A DARK DARK HOUSE (MATRIX THEATRE): 67% - BITTERSWEET

    IN A DARK DARK HOUSE (MATRIX THEATRE): 67% – BITTERSWEET

    SWEET This production of In a Dark Dark House is theatre at its best! Gil Kaan – BroadwayWorld SWEET “Dark House”‘s gripping two hours at the Matrix benefits from clear visual realization and the all-pro cast’s confident navigation of the play’s language, ideas and emotions. Debra Levine – Arts Meme BITTERSWEET The play is way […]

  • BROADWAY BOUND (ODYSSEY THEATRE): 91% - SWEET

    BROADWAY BOUND (ODYSSEY THEATRE): 91% – SWEET

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  • McNulty with some Advice for LA Theater: "Visionaries Need Apply"

    McNulty with some Advice for LA Theater: “Visionaries Need Apply”

    Firstly, it’s nice to see Chuck McNutt becoming more and more invested in the community in which he makes a living while he waits for his call from the New York Times. That’s a good thing. And it’s nice to see him thinking in terms of “What can we do to make things better?” That’s […]

  • Opinion: The Audition Never Ends

    Opinion: The Audition Never Ends

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  • Critique of the Week

    Critique of the Week

    First review I’ve read by this guy Rich Kane of the OC Weekly. After reading, you may become a fan too. IN THE HEIGHTS Rich Kane – OC Weekly Build your own dreams, or someone will hire you to build theirs. A negative mind will never give you a positive life. Let the past make […]

  • The Saturday Saying

    The Saturday Saying

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  • MUCH ADO ABOUT NOTHING (THEATRICUM BOTANICUM): 100% - SWEET

    MUCH ADO ABOUT NOTHING (THEATRICUM BOTANICUM): 100% – SWEET

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  • VISIONARY MAN: 73% - BITTERSWEET

    VISIONARY MAN: 73% – BITTERSWEET

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  • TURNING THIRTY: 100% - SWEET

    TURNING THIRTY: 100% – SWEET

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  • A STREETCAR NAMED DESIRE (GROUP REP): 100% - SWEET

    A STREETCAR NAMED DESIRE (GROUP REP): 100% – SWEET

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  • THE WAY YOU LOOK TONIGHT: 78% - SWEET

    THE WAY YOU LOOK TONIGHT: 78% – SWEET

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  • "Women" Will Make You Laugh

    “Women” Will Make You Laugh

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  • SACRED ELEPHANT: 90% - SWEET

    SACRED ELEPHANT: 90% – SWEET

    SWEET The play, which is about the world’s largest mammal, is powerful, and boasts an unsettling performance. It’s an adaptation of Heathcote Williams’s 15-part long poem about the elephant species, and the perils it faces on account of incurable human ignorance. This powerful production brings to the Odyssey’s stage one of South Africa’s most celebrated […]

  • CAT FIGHT: 100% - SWEET

    CAT FIGHT: 100% – SWEET

    SWEET Cat Fight works, as only theatre can. It reaches into its subject, and into us, deeply. And it delivers so much of womanhood’s “infinite variety” that once you’ve seen it — whatever your sex or gender — I doubt you’ll ever see a woman, or be in the company of one, or encounter yourself […]

  • LUIGI: 53% - BITTERSWEET

    LUIGI: 53% – BITTERSWEET

    BITTERSWEET The Inkwell Theatre presents a talented cast in its world premiere of Louise Munson’s “Luigi,” a two-and-a-half-hour tale of a family’s (most likely last) get-together with their patriarch in the winter of his years. There seems to be no real story to be told here. (Warning: If not fluent in Italian, a percentage of […]

  • ANDRONICUS (COEURAGE THEATRE): 81% - SWEET

    ANDRONICUS (COEURAGE THEATRE): 81% – SWEET

    SWEET Lelliott’s earnest interpretation has a fine continuity of theme. It could use a similar consistency of mood, or a greater investment in the occasional departures from tone. But ultimately it’s an exciting and worthwhile production. If opening night had a few swords falling nervously from scabbards, and even if a prop representing an amputated […]

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